Whatever Happened to the 26th Bee? (A discovery of individual
art thought.)
Adele Flood
FELCS/SECE, RMIT, Melbourne, Victoria
Abstract
The fundamental importance of art is that it echoes or reflects
the natural world of which we are a part. It allows direct unselfconscious
experiences; experiences that involve reflective selfconsciousness,
language symbolisation and abstraction. Dewey believed that artistic
perception and understanding are rooted in human convention and
values:
No matter how ardently the artist might desire it, he cannot
divest himself of meanings funded from his past intercourse with
his surroundings, nor can he free himself from the influence
they exert upon the substance and manner of his present seeing
(1934).
It is generally accepted that feeling and knowing are both
central to the creative process and the emotions we feel will
impart particular understandings of the situations. Because feelings
may be inappropriate the maker must learn when to trust them.
The maker will be required to exercise judgment and often will
be required to reject or accept elements from within the selected
symbolic representation. Knowing involves the direct interaction
of the maker with the environment and the re interpretation of
that environment into a pictorial form which will contain meaning
for the viewer. 'Instead of straining too hard to discover his
inner self, the student should objectively study the outside
world.' (Ehrensweig, p142.1967)
Current ideologies have a tendency to remove the human element
from learning. Somehow we have lost sight that behind the product
is a thinking and feeling human being.
Education should focus on the child (or any learner) as the organiser
of their own learning with the teacher a facilitator in this
process or journey of discovery. This paper will illustrate how
the visual arts provide the opportunity for all learners to express
and explore the world in creative and exciting ways.
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